Coming soon: Marcus William Striplin’s solo project, “A Loupe” available on LP from Goliad Media.
The newest solo project by Marcus William Striplin. Available late 2017.
Denton, TX—Goliad Media Group, LLC is releasing the first album from Marcus William Striplin’s solo project Margaret Chavez.
“A Loupe” collects the history of Striplin’s recording life in the spirit of country strums, Texas prairies, howling feedback, thick riffs, multi-part harmonies, and stories about every kind of explosion and schism a heart can fathom. According to Striplin, the name is a tribute to Striplin’s mother, and it’s a memorial tribute in more ways than one. “You raise a child / you make it smile / just for a little, little while,” Striplin sings before bidding her—and what sounds like other pains in his life—”Gone, Gone, Gone.”
Striplin emerged from the burgeoning Texas music scene in the ’00s and ’10s, alongside artists like The Polyphonic Spree and experimental acts such as Lift to Experience and Derek Rogers. Striplin combines the ideas and sounds of his best peers and contemporaries in a sound that he describes as “heatstricken and reflecting chrome in the sun.”
“A Loupe” will be available on vinyl or as a digital download from Goliad Media in late 2017.
REVERB, TX, the debut memoir and travelogue by essayist Harlin Anderson is now available for order.
From the expanses of the Chihuahuan Desert to the secrets of the Piney Woods, Texas is travelers’ country. Home to several distinct cultures, the only common trait among the far-flung people of the Lone Star State is hardscrabble grit—a persistence in the relentless landscape.
But there is more to Texas than tumbleweeds and tornadoes. The people who define the state’s distinct cultures live in uneasy truce with their own history, undermining tradition and making their own rules. Texans are nothing if not solitary, even together in a crowded theater in Lufkin, Texas, hosting Mandy Patinkin for an a cappella thunderstorm performance. Or on the beaches of Mustang Island, where laws don’t apply. Or huddled against the desert cold in distant Marathon for a fire-lit music festival.
In Reverb, TX, Harlin Anderson takes you to each of these places and more, carving a traveler’s path between major highways and larger-than-life cities. His travelogue is part memoir, part confession—a journal of growth, loss, and exploration. This is a brutal, breathtaking debut, and it will leave you wandering for years to come.
Remastered for the first time on vinyl, Will Johnson’s Little Raider EP is now available as a full LP with two new tracks.
Now remastered for vinyl, the original “Little Raider EP” includes two additional tracks, “The Treaty/Loose Talk” and “Waiting Here for the Light to Rise.”
“Little Raider EP +2” brings new attention to Johnson’s solo work as he is experiencing a renaissance among fans and critics. Widely known as the front man for Centro-matic and South San Gabriel—as well as his collaborations with other musicians like Jason Molina, Vic Chesnutt, Patterson Hood, and others—Johnson has recently redoubled his solo touring and songwriting. According to Johnson, “Revisiting this release definitely helped me re-embody and re-work some of the songs over for the live shows. It also inspired me to write a handful of songs in a similar sonic and instrumental vein.”
“Little Raider EP,” originally released in 2011, now includes two additional tracks, “The Treaty/Loose Talk” and “Waiting Here for the Light to Rise.” Available for the first time on vinyl, the extended and remastered EP carries the new title “Little Raider EP +2.” Regarding the new tracks, Johnson says, “Each of the additional songs had been hanging around in demo form for a while, and to my ear they co-habitated well with the songs on the original release. ‘Waiting Here For The Light To Rise’ is a song written with my late friend, Jason Molina, in mind.”
Remastered by Matt Pence, “Little Raider EP +2” brings new attention to Johnson’s solo work as he is experiencing a renaissance among fans and critics. Widely known as the front man for Centro-matic and South San Gabriel—as well as his collaborations with other musicians like Jason Molina, Vic Chesnutt, Patterson Hood, and others—Johnson has recently redoubled his solo touring and songwriting. According to Johnson, “Revisiting this release definitely helped me re-embody and re-work some of the songs over for the live shows. It also inspired me to write a handful of songs in a similar sonic and instrumental vein that I’ll formally track before too long.”
“Little Raider EP +2” will be available on vinyl or as a digital download from Goliad Media in early 2017.
In a separate agreement, Goliad Media will also be publishing Johnson’s first book. The as-yet-untitled project combines Johnson’s original fiction with his personal memoirs and other meditations and will be available in both print and electronic editions.
(Album art by Clint Sawyer. Photo by Christi LaViolette.)
FOR IMMEDIATE RELEASE
CONTACT: Chris Welch
The Debut Solo Album by Scott Danbom
Forthcoming from Goliad Media
Denton, TX—Goliad Media Group, LLC, an independent record label, publishing house, and arts producer, will release the first solo album by Texas musician Scott Danbom. Slated for release in early 2017, the album will be available as an LP, CD, or digital download.
Danbom is a veteran performer and accompanist associated with Centro-matic, South San Gabriel, Will Johnson, Sarah Jaffe, Slobberbone, Brent Best, Drive-By Truckers, Patterson Hood, and many others. His as-yet-untitled album will merge two different sounds: the haunting keyboard-and-vocals arrangements North Texas music fans are discovering for the first time in Danbom’s long career, and an ambient-instrumental concept drawn from Danbom’s interest in experimental concept sounds. In writing and composing the album, Danbom is attempting a project under one title with divergent personalities “like a word and a symbol that mean the same thing but have a blurry, different feel.” Asked about what listeners should expect, Danbom says, “Interpretation will be varied, for sure. Any sort of art is only an individual’s brain filtration. This will be nothing too complex and nothing too simple.”
Danbom will record the album at Ramble Creek Recording Studio with engineer Britton Beisenherz, who has recently engineered albums with Will Johnson, Doug Burr, Milton Mapes, Monahans, Kelley McRae, and a number of others. Musicians Danbom has worked with throughout his career will make appearances on the album. Tour dates and official release information will be announced later in 2016.
I’d grown tired of hearing about borders—who draws them, who protects them, who defines them, who defies them. I’d become weary of the tragedy of refugees, of the anger of nationalists, so exhausted by ignorance and fear, so defeated by the unshakeable hold of hatred in a world that clings so tightly to imaginary lines on ever-changing maps. I dreamed of empty spaces. Continue reading The Goliad Monitor: Deafening Silences and Other Desert Contradictions
Denton-based sculptor and potter Ashley Young joins Leslie Hartman and Camille Green as visiting artists for the opening of “Life Looked Over: A Picture of West Texas History,” the new photography exhibition by Artist-in-Residence Christi LaViolette. In anticipation of her showcase at the event, Young tells us a little bit about family, work, and hard lessons. Continue reading The Goliad Monitor: Stoneware Stars
Camille Green shares a few words with us about painting, inspiration, and art itself in preparation for her appearance as a visiting artist at the opening of 2015-2016 Artist-in-Residence Christi LaViolette’s new photography exhibition, “Life Looked Over: a Picture of West Texas History.” Green’s original artwork will be available at the event, which runs from 12:00-4:00 on Saturday, April 9 at Dan’s Silverleaf in Denton, TX. Continue reading The Goliad Monitor: Gravity and Color